#Xee comic reader pro
#Xee comic reader professional

The (generally) monthly title became 'a mainstay of fandom,' winning a 1963 Alley Award. The 'On the Drawing Board' name was retained for the periodical's news section. In March 1962, issue #8 of On the Drawing Board was retitled The Comic Reader. Birth of The Comic Reader and a succession of editors While there was considerable interest in developments at DC (especially the revival of Hawkman), fans also closely followed the entrance of other companies into the costumed hero sweepstakes: Archie Comics, Gold Key, Charlton, and Marvel. In some cases, they also found out the names of the writers and artists of certain features, in an era before such credits were routinely given. Suddenly, fans had a way to see what was coming up on the newsstands. Comics fandom historian Bill Schelly described its impact: Released in stand-alone form as 'a single-page news-sheet,' On the Drawing Board #4 (#1-3 being applied to the columns appearing in those issues of A/E) debuted on October 7, 1961.

#Xee comic reader pro

Spinning-off from Bails' other zine, Alter Ego (after appearing for three issues as a column within that publication), On the Drawing Board 'was devoted to blurbs and news items pertaining to upcoming events in pro comics.'

Jerry Bails founded and published On the Drawing Board In October 1961, to showcase the latest comic news. Publication history On the Drawing Board

1.2 Birth of The Comic Reader and a succession of editors.

#Xee comic reader professional

In its last incarnation, published by Street Enterprises, it was more professional magazine than fanzine, and was known colloquially as 'the TV Guide of the comics industry.' During its run, TCR won a number of industry awards, including the Alley Award and the Goethe Award/ Comic Fan Art Award. The fanzine was founded in 1961 as On the Drawing Board by Jerry Bails, the 'Father of Comics Fandom ' changing its name to The Comic Reader in 1962 and being named the official bulletin of the Academy of Comic-Book Fans and Collectors (ACBFC). Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. Debuting in the pre- direct market era (before the proliferation of comics retailers), TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. The Comic Reader ( TCR) was a comics news- fanzine published from 1961 to 1984. The cover of the final issue of The Comic Reader, featuring Evangeline.Д¬omic book advertising, art, strips, news, reviews, and criticismДЄcademy of Comic-Book Fans and Collectors (1963вЂ“1969)